Soul Disease
2. Circus beserk
3. Stars begin to fall
4. Mothering Sunday
5. Disillusion
6. Inside the kiss
7. Being born
8. I just don't know
9. Sisters of mercy
10. Waiting for my angel
11. The empty chair
12. Oh my heart
13. Soul disease
14. Wait a minute
15. Rebirth of wonder
A published poet and active on New York city's lower east side spoken word and
music circuit. She performed regularly at venues such as CBGB's and the Mercury
Lounge as well as the Nuyrocian poets cafe. Injecting spoken word rants and
poetic interludes between songs to create a new hybrid. Laura Nyro termed her
style the musical vignette. Whilst playing the rounds, Angela's audiences became
a who's who of poets and sonwriters such as Alan Ginsberg, Ntozake Shange, Jeff
Buckley and Laura Nyro. Whilst Angela was visiting a friend at university in
London, I was lucky enough to see her perform some solo acoustic gigs in town.
The result of this chance meeting is my favourite album so far for Planet, I
think climbing Pendle hill at my suggestion at midnight on the day before the
recording sessions certainly had some bearing on the sound of "Soul Disease".
(Pendle hill is renowned for its legends surrounding witchcraft and wicca) Angela
has already recorded several interviews for UK Radio and will continue to perform
across the country until the end of 97. All songs are written by Angela Costa.
Frank Bidulph: violin
Jaquie Sharples: cello
Richard Miles: stick, loops and drum programmes
Mel Outsider: drums and percussion
Soul Disease sticks to Costas passionate, overtly poetic and dynamic delivery.
Vocally and rhymically reminiscent of Patti Smith mannerisms, but freed up
with touches of Laura Nyro's soul exorcisms and some Dylanesque rambling.
Concentrated wordiness makes for demanding listening, yet there is considerable
beauty hereabouts. She could soon enjoy the same sort of profile afforded
todays crop of fiesty female writers. (Martin Aston, Q
Magazine)
A semi classical atmosphere pervades against an absorbing and strong delivery
that hints at a meeting of Patti Smith and the Brodsky quartet. Largely avoiding
the verse chorus cliche she manages to create an album that destroys all preconceptions
I had. Offering a sometimes uneasy delightfully unique angle on the female
singer/songwriter genre she has produced an album that in its fiveteen tracks
manages to create more suspense, atmosphere and appealing stylish minimalism
than a hundred so called press darlings could reproduce in a hundred albums.
(Sean McGhee, Rock'n Reel)
I haven't heard anything as strong and as personalised from a female singer
in years, she leaves one hell of an impression, and whilst I know this album
won't storm the charts it deserves to be heard by anyone out there who finds
the current fare a little jaded. Challenging and rewarding, a real cracker!
(Huesy, Modern Dance Magazine)